##### Orpheus myth | How it changed art love and afterlife

The Orpheus myth is the foundation of modern art, indefectible love and Heaven in the afterlife. Revisit the most universal myth in a 60 second short film

SpareTag.com looks for meaning of numbers, proportion in art and Golden Ratio beauty but finds the Golden Rule that beauty is in the eye of the beholder

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```Numbers are the highest degree of Knowledge per the Ancient Greek
http://t.co/twyMR3UJQQ
pic.twitter.com/PRDulPsznn

— Spare Tag (@SpareTag)
December 6, 2014

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```Sea lamprey caught in New Jersey river
Beauty is in the eyes of the beholder
http://t.co/cctEN03gr7
pic.twitter.com/qlzmWVmzSH

— Spare Tag (@SpareTag)
December 6, 2014

"**A good decision is based on knowledge and not on numbers**" Plato and Aristotle painting

based on bar 58 to 61 of Mozart's Sinfonia Concertante in E flat (Andante) or the subtle meaning of numbers

Music

The video

soundtrack is

based on bar

58 to 61 of

Mozart's Sinfonia

Concertante in

E flat (Andante).

Michael Nyman first used this idea for his Drowning by Numbers score. Listen to the beautiful and haunting masterpiece.

Movie

The video includes

extracts with

special effects

of the Twilight

Zone Eye of the

Beholder episode

from the famous

TV series. A must see.

The episode was re-done in 2002 in color. The original script was so modern that no change were needed. Impressive. This is where beauty is in the eye of the beholder

Books

Treasure hunt

for the Golden

Ratio beauty

from ancient

times through

the present.

On the way,

he debunks

many of the

myths about

the divine proportion in art or the fibonacci sequence in nature. His excursions into history and meaning of numbers add fun and depth.

Is everything chaos and chance? The Greeks deeply influenced Western philosophy by elaborating a consistent system of numbers and proportion in art to measure order and harmony in human life, nature and the finest artifact.

Pythagoras first defined musical harmony, the intervals between notes, by the lengths of strings of the Lyra, as opposed to the frequencies of the tones (both are actually inversely proportional). Interestingly, the meaning of numbers (Arithmos) and rhythm (Rhythmos) comes from the same root: rheîn = to flow. Plato then generalized the geometric proportion to all forms of aesthetic under a broader Metaphysic: “all these kinds of things received their shapes from the Ordering One, through the action of Ideas and Numbers” (Timaeus), “Numbers are the highest degree of Knowledge” (Epinomis).

The most important numbers for the Pythagoreans were the Five and the Ten. Five was the number of Love, uniting Two, the first even – female – number, and Three, the first odd greater than one – male – number. Five, the number of love, became later the symbol of humanity represented by the regular pentagon or pentagram, while Ten or Decagon symbolizes the universe. Ten was chosen as it is the sum of the first four numbers: "1," the spiritual level + "2" for woman + "3" for man + the "4" elements (Earth, Air, Water and Fire).

With the geometric representation, comes the calculation of proportions and the idea, still very modern, that you can model everything, including the ultimate harmony of the world. The geometrical proportion (a/b = c/d) is called continuous when b = c, which reduced the proportion to three terms: (a/b = b/c). A further simplification to two terms is obtained by setting c = a+b, i.e. (a/b = b/(a+b)) or (b/a)2 = (b/a)+1. This b/a ratio is known as the “Golden Ratio” or the “Divine Proportion” and is equal to Φ = (1+√5)/2 = 1.618.

Approximation of this ratio has been discovered in some living forms (known as the *Fibonacci sequence in nature*) such as the optimum angle between leaves or branches on a stem to obtain the maximum exposure to vertical light. There are also claims that the human body integrates some golden ratio proportions. For instance, the bones of the fingers approximate a diminishing series of three terms (1, 1/Φ and 1/Φ2), with the longest bone equaled to the sum of the two following ones. However there are no normalized way to make the measurement and, more often than not, the technique used is stretched to confirm the initial golden ratio beauty theory.

All this becomes very scary, when the model is used to measure beauty, especially in human face. Can really beauty be defined by the dictatorship of a mathematical model? We are again losing common sense and bow in front of this powerful cult that has survived millennia. At the end, beauty is in the eye of the beholder and you don’t want

to judge others’ beauty in ways that you would not like your own to be judged! Treat others as you want to be treated. That’s a golden rule, not a golden ratio.

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